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RUTH KING
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| Education |
| 1989 |
MFA, Rhode Island School of Design, Providence, Rhode Island |
| 1982 |
Graduate Fellow, The Ohio State University, Columbus, Ohio |
| 1981 |
BFA, Magna cum laude, Tyler school of Art, Elkins Park, Pennsylvania |
| 1978 |
Foundations and First Year Ceramics/Glass Curriculum, University of Illinois, Champaign-Urbana, Illinois |
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| Selected Shows |
| 2003 |
Sixth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington |
| 2002 |
Fifth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington |
| 2001 |
Fourth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington |
| 2001 |
Glass Art in America, Rochester, New York |
| 2001 |
Bausch and Lomb Glass Invitational, Bausch and Lomb Gallery, Rochester, New York |
| 2000 |
INFINITE POSSIBILITY, State Teachers Retirement Services Bldg., Columbus, Ohio |
| 2000 |
The Essence of Sisterhood, Bricker Hall Group Exhibition, The Ohio State University, Columbus, Ohio |
| 2000 |
The 7th International Shoebox Sculpture Exhibition, University of Hawaii at Manoa Art Gallery, Honolulu, Hawaii |
| 1999 |
"Holding Light: Contemporary Glass Sculpture", Installation in the Austin Museum of Art, Austin, Texas |
| 1999 |
Falling Bodies, Solo Exhibition, William Traver Gallery, Seattle, Washington |
| 1999 |
Goblet Invitational, The Works Gallery, Philadelphia, Pennsylvania |
| 1999 |
Many People, Small Works, Acme Art Gallery, Columbus, Ohio |
| 1999 |
Ohio Perspectives: Reflections in Glass, Curated Group Exhibition of Ohio Artists at the Riffe Gallery in Columbus and the Akron Museum of Art |
| 1998 |
People Go To Work, permanent installation of 23 glass hats, neon, and steel in the MBA Lounge of Gerlach Hall in The Max M. Fisher College of Business at Ohio State University, Columbus, Ohio |
| 1998 |
R.I.S.D. Works, Elliot Brown Gallery, Seattle, Washington and SOFA, New York, New York |
| 1998 |
Ohio Perspectives: Reflections in Glass, Verne Riffe Gallery, Columbus, Ohio |
| 1997 |
Trial by Fire: Glass as a Sculptural Medium, Newcomb Art Gallery, New Orleans, Louisiana |
| 1997 |
Raucous Color, Penland Gallery, Penland, North Carolina |
| 1997 |
Glass Ohio: State of the Art, The Dairy Barn Southeastern Cultural Arts Center, Athens, Ohio |
| 1997 |
Instructor Exhibit, Penland School, Penland, North Carolina |
| 1997 |
The Ripple Effect in Glass, The Gallery of American Craft, Millville, New Jersey |
| 1997 |
Centennial Glass, The Society of Arts and Crafts of Boston, Massachusetts |
| 1997 |
Glass America, Heller Gallery, New York, New York |
| 1996 |
Ruth King: Recent Work, Solo Exhibition, Portia Gallery, Chicago, Illinois |
| 1996 |
SOFA - Chicago, Portia Gallery, Chicago, Illinois |
| 1996 |
An Exhibition of Contemporary Glass Art, Group Exhibition, Memorial Art Gallery, Rochester, New York |
| 1996 |
Glass: The Cutting Edge, Group Exhibition, Clayton Gallery, Lincoln, Massachusetts |
| 1996 |
Best of 1996, Featured Artist, Ohio Designer Crafsmen, Columbus, Ohio |
| 1996 |
SOFA - Miami, Portia Gallery, Chicago, Illinois |
| 1996 |
Crucible Glass Project Visiting Artists Exhibition, St. Paul, Minnesota |
| 1996 |
Southwest Invitational IX, Philabaum Gallery, Tucson, Arizona |
| 1996 |
Glass America, Heller Gallery, New York, New York |
| 1996 |
Sculpture in Glass, R. Duane Reed Gallery, St. Louis, Missouri |
| 1995 |
Ruth King: Glass and Drawings, Solo Exhibitions, Riley Hawk Gallery, Columbus, Ohio |
| 1995 |
East Coast Glass, Invitational Exhibition, University of North Carolina at Charlotte, North Carolina |
| 1995 |
American Glass Now, Leedy-Voulkos Gallery, Kansas City, Missouri |
| 1995 |
Group Invitational, Nazarene College, Mt. Vernon, Ohio |
| 1995 |
In Women We Trust, Vitrum Gallerie, Asheville, North Carolina |
| 1995 |
Glass as Art: Celebrating the 25th Anniversary of the Glass Art Society, Blue Spiral 1, Asheville, North Carolina |
| 1995 |
International Pilchuck Invitational Exhibition, William Tracer Gallery, Seattle, Washington |
| 1994 |
International Exhibition of Sculptural Glass Goblets, Owen Patrick Gallery, Philadelphia, Pennsylvania |
| 1994 |
Women in Glass, Vetro Marmo, Gahanna, Ohio |
| 1994 |
Thought Bubbles, Solo Installation of vinyl, helium, and neon in the Fosdick-Nelson Gallery at Alfred university, Alfred, New York |
| 1994 |
Focal Points, Heller Gallery, New York, New York |
| 1994 |
3rd Masterworks of Contemporary Glass, Benefit Auction, New York |
| 1994 |
Experimental Glass Workshop, Brooklyn, New York |
| 1994 |
Spring Follies, Philabaum Gallery, Tucson, Arizona |
| 1994 |
Truth in Glass, Philabaum Gallery, Tucson, Arizona |
| 1994 |
Musculatures: Recent Glass Sculpture, Solo Exhibition, William Traver Gallery, Seattle, Washington |
| 1993 |
Appropriation and Assimilation, four person exhibition curated by John Perrault, Urban Glass, Brooklyn, New York |
| 1993 |
Rhode Island Connections: Fifteen Contemporary Glass Masters, Newport Art Museum, Newport, Rhode Island |
| 1993 |
Contemporary Glass Masters, Elliott Smith Contemporary Art, St. Louis, Missouri |
| 1993 |
International Pilchuck Exhibition, William Traver Gallery, Seattle, Washington |
| 1992 |
What's New, Helander Gallery, Palm Springs, Florida |
| 1992 |
New Art Forms, CGCA, Chicago, Illinois |
| 1992 |
Modern Glass, Cone-Solow Gallery, Mendocino, California |
| 1991 |
First Outdoor Neon Exhibition, Glass Art Society Conference, Corning, New York |
| 1991 |
From the Creative Glass Cwenter, Dawson Gallery, Rochester, New York |
| 1990 |
Liquid Sand: Exquisite Glass Goblets, Tempe Arts Center, Tempe, Arizona |
| 1990 |
Design Excellence, A traveling exhibit of award winners from ID Magazine Annual Review |
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| Awards |
| 1997-1998 |
University Seed Grant, for "The Introduction of Computer Generated 3D Prototypes for Collaboration In Molten Glass Fabrication", Ohio State University |
| 1997 |
Level 2 Research Grant, "Phase II: The Generation and Introduction of 3D Computer Generated Prototypes for Collaboration in Molten Glass Fabrication", Ohio State University |
| 1997 |
Level 1 Research Grant, "Phase I: The Generation of Two-Dimensional Images for Developing Animated Prototypes Towards Collaboration in Molten Glass Fabrication", Ohio State University |
| 1997 |
Level 2 Research Grant, "Physiology of Molten Glass Using the Vessel as Carrier of Ideas" Ohio State University |
| 1996 |
Level 1 Research Grant, "Glass - A Material of Memory", Ohio State University |
| 1995 |
Ohio Arts Council Individual Artist Fellowship |
| 1990 |
CGCA Fellowship, Creative Glass Center of America, Wheaton Village, Millville, New Jersey |
| 1990 |
Doug and Dale Anderson Hot Glass Scholarship, Pilchuck Glass School, Stanwood, Washington |
| 1989 |
Honorable Mention, ID Magazine Annual Review, July/August |
| 1989 |
Award of Excellence II, 1/3 tuition, Rhode Island School of Design |
| 1989 |
Award of Excellence I, 1/3 tuition, Rhode Island School of Design |
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| Publications |
| 2000 |
Page Hazelgrove Exhibition Catalogue Forward, Museum of Western Virginia, Virginia |
| 1997 |
Splitting Pictures, Individual Artist's Work, Berry Van Boekel and Mary Jo Bole, Knust, Netherlands |
| 1996 |
"Hot Tips", presented and written by Ruth King for the Glass Art Society Conference and Journal |
| 1996 |
St. Louis Post Dispatch, "The Transparent Art" by Jeff Daniel |
| 1996 |
New Glass Review 17, Corning Museum of Glass |
| 1996 |
Columbus Dispatch Arts Magazine, by Michael Grossberg |
| 1996 |
Interview with Ruth King, by Shawn Waggoner, Glass Arts Magazine, November |
| 1995 |
In Context, Invitational Self-Designed 4 Page Visual Layout for Glass Magazine, Autumn |
| 1994 |
American Craft Portfolio, October/November |
| 1994 |
Columbus Dispatch Review, Jacqueline Hall, August |
| 1994 |
Glass Magazine, Review of Musculatures by Ron Glowen |
| 1994 |
New Glass Review 15, Corning Museum of Glass |
| 1993 |
Art and Crafts, Seoul, Korea, June |
| 1992 |
New Glass Review 13, Valiant Glass, Corning Museum of Glass |
| 1990 |
New Glass Review 11, Corning Museum of Glass |
| 1989 |
ID Magazine Annual Review, July |
| 1989 |
Glass Art Magazine, Jan/Feb |
| 1988 |
RSID New Works Catalogue |
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