Museo DANNY PERKINS
Statement
I started working with broken vases when I was still doing production work in California. When you are blowing glass, if you drop it or if it has a crack, it is thrown away. But the way I saw these pieces started to change, and they became valuable to me. Few people supported me at first. In the craft world, breaking glass, painting it, and putting it back together are all wrong things to do. If the glass is broken, it is garbage; if it is painted, it is more than glass and has lost its purity. Within a couple of years, however, I was having enough shows and selling enough work that I was able to open my own studio.

When I start working, I seek to make an ultimate expression of my emotional state. I experiment with shape all the time. A body of work is an exercise until I'm done. I always have to do a group of pieces--I can't do just one. When I am half finished with one piece, I am thinking of the next. Often I have three pieces going at once. By the time I get to the last pieces, I am able to resolve some of the earlier ones and tighten them up. A piece is never really done until it is out the door.

I like the beauty of color and form, and the organic sense of the work, which to me means growth. By combining these qualities, I get hope that there is some sort of connection with me and the universe.

Education
1987 Artist in Residence, Pilchuck Glass School
1986 Teaching Assistant to Paul Marioni, Pilchuck Glass School
1985 Student of Lino Tagliapietra, Pilchuck Glass School
1984 Teaching Assistant to Dan Dailey, Pilchuck Glass School
1982-1983 John Lewis Glass, production
1981-1982 Urrere/Perkins Studio
1979 Studied with Henry Suma
1976-1979 Teaching Assistant, Craft Farm
Selected Shows
2003 Sixth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington
2002 Fifth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington
2001 Fourth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington
2000 Third Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington
1995 Habatat Galleries, Pontiac, Michigan
1995 Matrix Lions, Austin, Texas
1995 Kavish, Sun Valley, Idaho
1994 William Traver Gallery, Seattle, Washington
1994 Riley Hawk Gallery, Columbus Ohio
1994 Riley Hawk Gallery Cleveland, Ohio
1992 Butters Gallery, Portland, Oregon
1991 William Traver Gallery, Seattle, Washington
1991 Heller Gallery, New York, New York
1990 William Traver Gallery, Seattle, Washington
1989 William Traver Gallery, Seattle, Washington
1988 Habatat Galleries, Chicago, Illinois
1987 Traver Sutton Gallery, Seattle, Washington
1987 Habatat Galleries, Boca Raton, Florida
1986 Traver Sutton Gallery, Seattle, Washington
1985 Perception Gallery, Houston, Texas
1985 Sarah Squeri Gallery, Cincinnati, Ohio
1983 Matrix Gallery, Austin, Texas
Publications
1991 "Out of the Fire - Contemporary Glass Artists and Their Work," Bonnie Miller

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