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BUFFY CRIBBS
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| Statement |
| Over the years I have worked as a laborer, a carpenter, a cabinet maker, a mother and found that everything we do teaches us something about our art. In fact, art tends to be a concentration of what has gone before. My work deals with the juxtaposition of innocence to knowledge; primitive to technocracy; youth to experience. I like to set things in motion and observe the tones, resonances and harmonies that result.
In my furniture and mixed media work I use found materials. Sometimes I manufacture these "found materials". I use the skills I have developed working in the trades in conjunction with experience and experiment and a lifetime of knocking around in the "Art World", that strange and other place. When I'm assembling my mixed media pieces, I spend a lot of time imagining that I'm a handyman/craftsperson existing in a primitive place down river from here assembling the detritus from other cultures as it washes ashore- trying to make to make sense of the clues and making something new and useful from the rejected bits and pieces of another place and time. I am a folk artist, reassembling the flotsam and jetsam in a way that makes sense to my wit and experience and pays homage to the things I love.
In 1998 I started painting seriously just to enjoy the simplicity of two dimensionality. I found that the marriage between color and line was irresistible and was seduced by the concept of image as narrative. I have done mainly back painting on plexiglass which leads to an unusual surface and depth of color I find exciting. Painting mainly "people doing things" and "portraits of furniture" the paintings tend to pose questions about the narrative which the viewer is encouraged to ponder and perhaps answer.
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| Education |
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No formal art education, schooled in Ireland |
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| Selected Shows |
| 2003 |
Sixth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington |
| 2002 |
Fifth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington |
| 2001 |
Solo Show, MUSEO, Langley, Washington |
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Fourth Annual Whidbey Island Glass Invitational, MUSEO, Langley, Washington |
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Solo Show, Atelier 31, Kirkland, Washington |
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"Anyting with a Drawer" Juried furniture show, Mesa Art Center, Mesa, Arizona |
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Furniture Invitationa , Victoria Boyce Gallery, Scottsdale, Arizona |
| 2000 |
"ARTITUDE" Solo Show, paintings & furniture, Victoria Boyce Gallery, Scottsdale, Arizona |
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Buffy Cribbs, Bruce Morrow, Recent Paintings, Atelier 31 Gallery, Kirkland, Washington |
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Third Annual Glass Invitational, MUSEO, Langley, Washington |
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"Art of Recycling" Everett Center for the Arts, Everett, Washington |
| 1999 |
"Angelophanies" Annual Angel Show, Lead Gallery, Seattle, Washington |
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"A Paris Salon" Small Works Show, Atelier 31 Gallery, Kirkland, Washington |
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Lead Gallery Annual Summer Sculpture Show, Lead Gallery, Seattle, Washington |
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Second Annual Glass Invitational, MUSEO, Langley, Washington |
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"Cowboys and Characters" Two person show with Bruce Morrow, Atelier 31 Gallery, Kirkland, Washington |
| 1998 |
First Annual Glass Invitational, MUSEO, Langley, Washington |
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Invitational "New Glass from the Pacific Northwest" The Craft Alliance, St. Louis, Missouri |
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"Angels" Annual Show, Lead Gallery, Seattle, Washington |
| 1996 |
Tenth Annual Celebration Especially for Children, Bellevue, Washington |
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"Second Time Around" Show, Pismo Gallery, Denver, Colorado |
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"Dolls and Monsters" juried show at Bumpershoot, Seattle, Washington |
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"Hats, Shoes, Gloves" N.W.D.C. Traveling Show, Washington |
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"Semi Solo" Show, Museo Piccolo, Langley, Washington |
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"Love Letters" Show, Museo Piccolo, Langley, Washington |
| 1995 |
"Inner Dialogues" Featuring Buffy Cribbs, Museo Piccolo, Langley, Washington |
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"The Mystery of the Magic Box", Anchorage Museum of History and Art |
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Group show "Kites", Museo Piccolo, Langley, Washington |
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Group Show "Love Letters" Museo Piccolo, Langley, Washington |
| 1994 |
North West Designer Craftsman "Doors and Portals" Show, Richland, Washington |
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Buffy Cribbs, Bruce Morrow; Two Morrows, two person show, Collections Gallery, Seattle, Washington |
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"Containing the Earth" Group Show, Contemporary Crafts Gallery, Portland, Oregon & PANACA Gallery, Bellevue, Washington |
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Art Work/Backdrop for "Second Skin" On The Boards presentation, Seattle, Washington |
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Invitational Group Show NWDC, Jane Huston Gallery, LaConner, Washington |
| 1993 |
"Small Works" Show, Gallery 500, Elkins Park, Pennsylvania |
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"Screams with Laughter"/ "Bumpeershoot" and Convention Center, Seattle, Washington |
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"The Feminine and Masculine Mystique Glass Invitational", The Private Collection Gallery, West Bloomfield, Michigan |
| 1992 |
Featured Artist, The Collection Gallery, Seattle, Washington |
| 1991 |
"A Frozen Moment" Northwest Glass Artists Show, Bellevue Art Museum, Bellevue, Washington |
| 1990 |
Holiday Show, Gallery 500, Elkins Park, Pennsylvania |
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"Seattle Plus", Foster/White Gallery in conjunction with 1990 G.A.S. Conference |
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| Awards |
| 2001 |
Awarded Jurors Prize |
| 1986 |
Selected for permanent collection, Corning Museum, Corning, New York |
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| Publications |
| 2001 |
Woodworker West, March |
| 2000 |
Art Book Arizona, Fall/Winter |
| 1997 |
Force 10, winter edition, Irish Literary and Arts Journal, poetry published |
| 1989 |
Contemporary Glass, Corning Collection |
| 1987 |
Ornament Magazine, March |
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